Welcome to the dollhouse.
thesassycat:

sluttybitch2007:

The rest of the space is going to be pretty pissed when they see this. 

did you google how to take a screen shot

thesassycat:

sluttybitch2007:

The rest of the space is going to be pretty pissed when they see this. 

did you google how to take a screen shot



arpeggia:

The Beatles - Because

"Yoko was playing Moonlight Sonata on the piano. She was classically trained. I said, ‘Can you play those chords backward?’ and wrote Because around them. The lyrics speak for themselves; they’re clear. No bullshit. No imagery, no obscure references." 

─ John Lennon



arpeggia:

The Beatles - Because

"Yoko was playing Moonlight Sonata on the piano. She was classically trained. I said, ‘Can you play those chords backward?’ and wrote Because around them. The lyrics speak for themselves; they’re clear. No bullshit. No imagery, no obscure references." 

─ John Lennon

Prince George’s First Royal Tour

George 

squeaktoy:

please love yourself and never ever ever upgrade to windows 8



home // edward sharpe & the magnetic zeros



home // edward sharpe & the magnetic zeros

glory-to-cobrastan:

come with me

and you’ll be

in a world

of image

hey, baby jesus, here comes some shit



unhistorical:

Rêverie (Daydream), Claude Debussy 



unhistorical:

Rêverie (Daydream), Claude Debussy 

"

Before John Green, his general category of realistic (non-fantasy) YA was rife with teen angst and “issues” fiction that you might have associated with the legendary Judy Blume, or with newer writers like Sarah Dessen or Laurie Halse Anderson. Anderson’s classic 1999 novel Speak, about a high schooler struggling to deal with the aftermath of sexual assault, was so influential that three years later Penguin launched an entire imprint named after it. One of the books launched under the behest of Speak was Green’s Looking for Alaska. But it’s Green whose name you’re more likely to know today, not Anderson’s, although Anderson has won more awards and written more books.



On Twitter, Green has 2 million followers. Compared to the rest of the leaders in Young Adult fiction, that number is staggering. To approach even half the Twitter influence of John Green all by himself, you need an entire army of YA women. Anderson, Blume, Dessen, Veronica Roth, Cassandra Clare, Richelle Mead, Margaret Stohl, Kami Garcia, Rainbow Rowell, Maureen Johnson, Malinda Lo, Holly Black, LJ Smith, Ellen Hopkins, Shannon Hale, Lauren Myracle, Libba Bray, Melissa Marr, and Leigh Bardugo: As a group these women only have about 1.2 million followers on Twitter.

That’s the voice of one man outweighing several decades of women who have had major successes, critical acclaim, and cultural influence.

"

 
-

"Young Adult Publishing and the John Green Effect" (via delicatedad)

When a man succeeds in a devalued (because of its association with women) field, he legitimizes it in popular opinion.

(via survivorsuperhero)

Sarah Dessen was amazing

(via circadianarrhythmia)