Ronald Bilius “Ron” Weasley (born 1 March, 1980)
someone made a really good point in the commentary of a post once which basically boiled down to the fact that james and lily’s patronuses are complements of each other (stag / doe) as opposed to snape and lily’s (doe / doe) which just goes to show how love and obsession are not the same thing at all thank u for ur time
I solemnly swear that I am up to no good.
Be brave, Professor, be brave like my mother. Otherwise, you disgrace her. Otherwise, she died for nothing. Otherwise, the bowl will remain empty forever.
So my family stayed at my aunt’s beach house last weekend and
a Harry Potter-themed
in the cupboard under the stairs
a harry potter au where potions is taught by gordon ramsay
Book Ron was an interesting, attractive and relatable character, and I feel that the movies really unfairly relegated him to the position of comic relief. The dynamics of the trio had to be simplified into hero + heroine + mascot, and that robbed us of a truly fascinating character. So here are a few things you should remember:
1. He really is poor and it matters. HP may have huge issues when it comes to representations of race and sexuality, but deserves a round of applause for having a character come from a low-income background, with the fact of their poverty not glossed over but made into a plot point. JKR is really consistent about this – about the things Ron eats and wears and buys and doesn’t buy, the way he reacts when Harry unwittingly flaunts his own wealth. Poorer kids who have to go without brand name clothes will see themselves in Ron, and richer kids will learn that poverty isn’t something you deserve. Kids who empathize with Ron because he can’t afford to replace a broken wand are less likely to grow up to be assholes who complain about the extravagant lifestyle of people on welfare.
2. He has knowledge about the world. Out of the trio, he is the only real insider in wizarding society. Hermione is the one who knows magical theory and basically everything that can be found in a library. But when it comes to wizarding society and all of its habits, rules and unspoken assumptions, he is the one who can fill the other two in. Throughout the course of the septology, he does almost as much exposition as Hermione.
3. He is actually quite intelligent. Despite what the movies would have you believe, he is not dumb. He is mediocre in most of his schoolwork, and lacks Hermione’s booksmarts, but he is an excellent chess player, meaning he possesses good strategic abilities. He is the one who keeps a calm head while throttled by Devil’s Snare, and he talks Hermione through saving both their lives. He has decent observational skills, after all he was to one to spot inconsistencies in Hermione’s third-year time table. Seeing his common sense and social insight as less valuable than Hermione’s academic knowledge betrays an inherently flawed definition of intelligence. (Especially since academic knowledge tends to be gendered as male, and social knowledge as female, think of Poirot and Miss Marple.)
4. He is loyal. He is the embodiment of loyalty. The movies erase some of the most poignant moments proving this, and hand some of them over to Hermione. But it is Ron who stands in front of Harry, daring Sirius Black to kill them both, despite his broken leg. It is Ron who repeatedly defies Malfoy and even Snape to protect Hermione from verbal abuse. When his mother believes tabloid lies about Hermione, he takes Hermione’s side. When his brother tells him to stop being friends with Harry because of the political risk, he is so furious at the suggestion that he tears up the letter. He is unthinkingly loyal to his friends, this is why it is such a big deal that he leaves in the seventh book – because it contradicts who he really is.
5. He is genuinely funny. In the movies we are more likely to laugh at Ron than laugh with him, and the jokes he makes tend to be somewhat juvenile. But in the books his sense of humour evolves with him and with the reader, leading to this dry, snarky, irreverent tone that is genuinely very enjoyable. Ron is fun to read, and he sounds like someone who would be lots of fun to be around. He jokes a lot, but it is rarely spiteful, and often meant to comfort or distract someone – a proof of emotional intelligence.
6. He is kind. I don’t really how to put this, other than the fact that if Ron was a girl, he would be immediately defined as a caretaker. He stays in Hogwarts over Christmas so that Harry doesn’t have to be alone. He often acts oblivious and selfish on the surface, but ultimately he really obviously pays attention to the wellbeing of his friends. From his words and actions and body-language we can piece together the sort of person who can make life suck less just by showing up, who is always there for his friends even if he cannot do anything specific to help.
7. He has a huge inferiority complex. The movies hardly touch on it but in the books it is his main character arc. He feels inferior to his brothers’ achievements, to Harry’s chosen status, to Hermione’s intelligence. It is explicitly stated in book four that he doesn’t understand how can someone not want to be chosen. The books are far more clear in implying that he gets together with Lavander because he’s insecure about romance. The Horcrux doesn’t get to him through his love for Hermione like it does in the movie, it gets to him through the nagging suspicion that he has never been good enough for anything or anyone ever, including Hermione. And the movie laughed off the scene after the destruction of the Horcrux, when Harry finally gets how much Ron suffered of this fear of being second best and Ron gets that Harry never chose to be chosen. But fear of being inadequate is the primary driving force of Ron throughout the septology, and the movie fails to see value in Ron just as Ron fails to see value in himself: his caring, his loyalty, his wealth of non-academic knowledge and his awesome sense of humour are not tangible achievements, and they are not something somebody notices about themselves.
Movie Ron is the person book Ron is afraid of being in his lowest moments, an incompetent oaf who makes rude jokes and chews with his mouth open, somebody their friends only keep around out of pity and habit, somebody Hermione would have to settle for out of a lack of better options. But book Ron, for all his flaws, is a loyal, funny and warm person with many valuable practical skills. Also: I can imagine Hermione regularly thanking her lucky stars for ending up with someone as amazing as him.
When Steve Kloves (who wrote the majority of the Potter screenplays) met J.K. Rowling for the first time, he told her straight up that Hermione was his favorite character. Rowling admitted to being relieved, and who could blame her? It was more likely for Hermione to end up disrespected on screen—she wouldn’t be the first female hero to get butchered in the reels.
But this resulted in an undercutting of Ron’s entire character from the first movie. Don’t believe it? When the trio go after the Philosopher’s Stone, they face a series of tests that demand each of their skills in turn. Time likely demanded that this sequence be cut down, and so Hermione’s test—solving Professor Snape’s potion riddle—was removed entirely. To make up for this, she gets them out of the Devil’s Snare, Professor Sprout’s deadly plant. Hermione shouts to Harry and Ron to relax so the foliage will release them—but Ron continues to panic and moan (in campiest fashion possible because he’s played by a child actor and these things are always requested of them), requiring Hermione to blast the thing with a sunlight spell.
In the book, Hermione is the one who panics. She remembers what her lessons taught her—that the Devil’s Snare will recoil at fire—but balks at their lack of matches while they are being strangled to death. Ron immediately shrieks to the rescue YOU ARE A WITCH YOU HAVE A WAND YOU KNOW SPELLS WHAT ARE MATCHES.
It’s a simple change, but it makes such a marked difference in how both characters come off to an audience. Rather than a near-infant, incapable of following the clearest directions, Ron is the even-keeled nitty-gritty one. He’s a tactician, the one who will find the simplest answer to a problem provided that the situation is dire enough to ensure his clear head. Ron is good under pressure and brave to boot. He’s also hilarious.
It is easy to write this off as an actor problem; Emma Watson matured and improved much faster than her costars in terms of talent—and Steve Kloves liked her portrayal so much that he started giving her many of Ron’s important lines. During The Prisoner of Azkaban, Sirius Black is trying to get to Peter Pettigrew (currently disguised as Scabbers the Rat), but Ron and Hermione are convinced he’s after Harry. In the book, Ron stares up defiantly from his mangled, broken leg and tells Sirius Black that if he wants Harry, he’ll have to get through his friends first.
Yeah, my leg hurts way too much, Hermione. You take this one. But say it’s from me. And in the film, it’s Hermione who boldly steps in the line of fire while Ron sobs in pain and babbles incoherently.
These rewrites not only depict Ron as an idiot coward—they also make him an outright jerk. When Professor Snape snaps at Hermione yet again for being an insufferable know-it-all, movie-Ron gives her a look and drawls, “He’s right, you know.” Wait, what?! Harry, why are you friends with this prick? Well, maybe because the Ron Weasley that J.K. Rowling put on paper was in that exact same situation, and immediately leapt to Hermione’s defense when she was being abused by a teacher—“You asked us a question and she knows the answer! Why ask if you don’t want to be told?”"
#IT’S A HOGWARTS AU WHERE EVERYONE HAS TO TAKE MUGGLE STUDIES FIRST YEAR TO LEARN ABOUT ACCEPTANCE AND SOMETIMES THEY TAKE BREAKS AND COLOR AND STUFF AND DRACO IS /BORED/ BECAUSE THEY DON’T MOVE AND WHAT IS THIS? WHAT IS A /CRAYOLA/? AND THEN HE DRAWS HIS FAMILY EXCEPT THEY ALL KIND OF LOOK LIKE BLOND BOBS AND SOMEONE (HARRY) TELLS HIM THAT HE’S NOT COLORING INSIDE HIS LINES CORRECTLY AND DRACO GLARES AT HIM AND SAYS THAT ACTUALLY /SCARFACE/ HE DOES NOT TAKE /ORDERS/ FROM /LINES/ AND HARRY SAYS ‘BUT THAT’S THE RULE’ AND DRACO SNEERS /JUST WAIT TIL MY FATHER HEARS ABOUT THIS THEN WE’LL SEE HOW IMPORTANT YOUR BLOODY LINES ARE/
#picturing little draco imperiously shouting WHAT IS A CRAYOLA and harry quickly is like crayola’s terrible here use roseart instead and dean thomas hides a grin and draco throws his box of crayons at harry’s head and says DON’T TELL ME WHAT TO DO but he picks up a roseart crayon because it’s time to get started on his pièce de résistance which he calls ‘die potter die’ and features no less than seventeen ways in which he’d like harry to meet his end one of which involves hary tripping over his own feet into a vat of acid except roseart is shit everyone knows that WHAT IS THIS draco howls indignantly PROFESSOR POTTER IS TRYING TO SABOTAGE MY MASTERPIECE TELL HIM TO GIVE ME THE CRAYOLA and harry’s like fine malfoy look we can share and draco’s like I DON’T THINK SO POTTER YOU’VE ALREADY TRIED TO SABOTAGE ME ONCE I CAN SEE RIGHT THROUGH YOUR DEVILISH WILES
#THE POTTER CHILD IS EVERYTHING YOU SAID HE WOULD BE AND WORSE FATHER WAX CRAYONS I TELL YOU HE WOULD HAVE ME USE WAX CRAYONS IT’S UNTHINKABLE FATHER IT’S POSITIVELY UNACCEPTABLE DON’T YOU THINK #draco writes violently on a sheet of purple construction paper #lucius weeps when he reads it then sits in his study looking consumptive and tragic until narcissa brings him a stiff drink